Bernini

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Gian Lorenzo Bernini (Portrait of Innocenzo XI) – Dario Quaranta Neropop
The Déportrait series is a collection of clips made with images (mainly portraits and self-portraits) borrowed from historical works of art, photography and mass media. The images undergo a process of gradual pixelation, transforming them into video clips (put simply, “pixelation” is a computer graphics technique that makes it possible to enlarge the individual pixels that comprise a digital image). The déportraits are inspired in some ways by décollage, the latter being the opposite of collage: instead of creating an image starting from fragments of other images, a new image is created by removing parts or layers of an already existing one (examples of décollage are the ripped posters by artists like Mimmo Rotella, Wolf Vostell and Raymond Hains).
Gianlorenzo Bernini. Triton with a Shell, 1630-42
Gianlorenzo Bernini. Triton with a Shell, 1630-42 | da arthistory390
Satyr with Panther - Pietro Bernini and Gian Lorenzo Bernini - Google Arts & Culture
Satyr with Panther
A Marine God with a Dolphin (The J. Paul Getty Museum Collection)
Gian Lorenzo Bernini, A Marine God with a Dolphin, 1652-1653 Black chalk #bernini #drawing
Gian Lorenzo Bernini study for Daniel sculpture 1655
Gian Lorenzo Bernini study for Daniel sculpture 1655
Gian Lorenzo Bernini (1598-1680) Model for the Fountain of the Moor, 1653 Terracotta Kimbell Art Museum, Ft. Worth
Portrait of a Young Man, Gian Lorenzo Bernini - Italian, 1630 / Red and white chalk
Sofferenza, meditazione, umanità
Cristo deriso (o in meditazione) - Bernini - 1635
Bernini. Modello for the Ecstasy of St. Theresa, c. 1645 [Hermitage]
Bernini. Modello for the Ecstasy of St. Theresa, c. 1645 [… | Flickr
Angel with the Superscription | Harvard Art Museums
Gian Lorenzo Bernini (1598 -1680), Angel Holding the Superscription, c. 1668-69, Terracotta, 28.9 cm | Harvard Art Museums