Forms

11 Pins

·8y

ceramic-work

a close up of a vase on a white background

Sculptures Céramiques

Keramik Design

Artful Home

Ceramic Pots

Ceramics Ideas Pottery

About the Work - Boyan Moskov Ceramic Studio

^Boyan Moskov Ceramic Studio

a white and brown ceramic cup sitting on top of a table

Kintsugi: Gold Repair of Ceramic Faults

Kintsugi (Japanese: golden joinery) or Kintsukuroi (Japanese: golden repair) is the Japanese art of fixing broken pottery with lacquer resin dusted or mixed with powdered gold, silver, or platinum a method similar to the maki-e technique. As a philosophy it treats breakage and repair as part of the history of an object, rather than something to disguise. [wikipedia: kintsugi]

a brown vase sitting on top of a table next to a white wall and floor

Leili Art and Design

Leili Towfigh #ceramics #pottery

a brown and black striped vase sitting on top of a table next to a gray wall

Peter Voulkos

Magdalene Odundo | Untitled | The Metropolitan Museum of Art

Ceramic Vessel, 1997 Magdalene Odundo Kenya/Britain Red clay

a white and brown wooden bowl sitting on top of a white tablecloth covered floor

Oops!

Swedish Maria Kristofersson

two black vases sitting next to each other on a white surface

日本サッカーとプレミア - saitoan-online.com

濱中史朗 srst-03 スタッズ萩焼

three vases sitting on top of a wooden table

ceramic Vases

驥醍ｶ吶℃蟾･闃ｸ莨夐�醍ｶ吶℃謨吝ｮ､�ｽ憺�醍ｶ吶℃繧ｮ繝｣繝ｩ繝ｪ繝ｼ�ｽ憺�醍ｶ吶℃縲∬樗邨ｵ繧呈･ｽ縺励∩縺ｪ縺後ｉ蟄ｦ縺ｶ驥醍ｶ吶℃謨吝ｮ､縲りｬ帛ｸｫ繧�謨吝ｮ､莨壼藤縺ｮ譁ｹ縲�縺ｮ菴懷刀邏ｹ莉九ぐ繝｣繝ｩ繝ｪ繝ｼ

Kintsukuroi or kintsugi is the art of healing broken pottery with lacquer and silver or gold. The philosophy behind this reparation is that something should not be discarded just because it is broken. It is in fact more beautiful for having been broken.

an orange and black vase with a tree on it

Antique and Vintage Vases - 38,773 For Sale at 1stDibs

French Art Nouveau cameo carved glass “landscape” vase by Émile Gallé, depicting a pastoral landscape at sunset. The vase features trees carved in relief against a graduated light green & rosey-hued ground, evocative of green fields and the early evening sky. The cover features 3 moths in flight, circa 1904. Vases w/ similar landscape motifs are pictured in: Émile Gallé et le Verre, la Collection du muse de l’École de Nancy, Parks: Somogy editions d’art, 2004, p. 193. Signed, ''Gallé.'' (hva)